Fantasia 2018: Satan’s Slave Review – Ghosts, Zombies and Sex Cults, OH MY!
A loose remake/prequel to the 1980 film of the same name, Satan’s Slave is a chilling story of how the sins of our parents haunt […]
A loose remake/prequel to the 1980 film of the same name, Satan’s Slave is a chilling story of how the sins of our parents haunt […]
Superbly acted and beautifully shot, Neomanila is a morally ambiguous tale about what we do to survive and crimes we commit for the ones we […]
Despite a charismatic performance by Vincent Cassel, this meditative biopic of the French painter fails to match the vibrancy of the artist’s work. Often, in […]
Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. Nobuhiko Obayashi is one of Japan’s […]
While the Rock maintains his larger-than-life presence, this taller Die Hard knockoff buckles under the weight of its sizeable lack of humor. Ever since my […]
Showcasing her career from punk provocateur to a mainstay of English culture, Westwood is a love letter to one of fashion’s most iconic personalities Westwood: […]
The third entry in Sony Pictures’ kids’ films about animated monsters is fun, flighty and surprisingly layered, with solid jokes and a heartwarming message. I […]
(This review and interview originally ran as part of On Tap’s previous run as its own separate feed. We’re re-running it here in conjunction with All […]
If you want festivals full of soulful contemplation of the human condition, and solemn documentaries about Serious Issues, Cannes and Sundance have you covered. Want […]
We interview queersploitation provacateur Bruce LaBruce about queer cinema, working on a low budget, and his latest feminist satire The Misandrists. Arthouse queer enfant terrible Bruce […]