En el Séptimo Día Is a Naturalistic, Humanistic View of the Immigrant Experience
Jim McKay’s tale of the plight of undocumented workers in America is soulful, sensitive, and a potent rebuke to modern rhetoric about the humanity of […]
Jim McKay’s tale of the plight of undocumented workers in America is soulful, sensitive, and a potent rebuke to modern rhetoric about the humanity of […]
Blumhouse’s latest thriller is tense and deceptively clever, but undoes its thrills with no shortage of irritating fakeouts. Trauma appears to be the monster in […]
Andy Milton’s atmospheric haunted house film is inscrutably scary and beautifully lit, balancing bone-chilling existential horror with compelling domestic drama. Here it is, 2018’s version […]
A loose remake/prequel to the 1980 film of the same name, Satan’s Slave is a chilling story of how the sins of our parents haunt […]
Hausu’s Nobuhiko Obayashi starts wrapping up his 60-year career in filmmaking with a deeply weird, compellingly stream-of-consciousness wartime drama. Nobuhiko Obayashi is one of Japan’s […]
While the Rock maintains his larger-than-life presence, this taller Die Hard knockoff buckles under the weight of its sizeable lack of humor. Ever since my […]
The third entry in Sony Pictures’ kids’ films about animated monsters is fun, flighty and surprisingly layered, with solid jokes and a heartwarming message. I […]
Marvel’s first placeholder till the next Infinity War is a more assured caper comedy than the first Ant-Man, but it’s almost too lightweight to make […]
(You can find an English-language version of the interview here. Read our review of the film here.) La Enfermedad del Domingo es diferente a cualquier película […]
We sit down to talk to Sunday’s Illness director Ramón Salazar about the creation of the film and the importance of telling women’s stories. (Una […]