Alcohollywood Podcast Ep. 329 – Dunston Checks In (1994) LIVE at Moxy Chicago
For this episode, we crashed Hotel Moxy in downtown Chicago for their inaugural Moxy SoundOff Podcast Series, trapping ourselves in a little glass booth for […]
cinema
On Chesil Beach Review: A Picturesque Tale of a Broken Honeymoon
Dominic Cooke’s sumptuous adaptation of the Ian McEwan novel tells the tale of a marriage doomed from the start, using luscious photography and brilliant performances […]
Solo: A Star Wars Story Review: Never Tell Disney the Odds
It’s messy and more than a little overlong, but Disney’s latest Star Wars prequel manages to coast by on just enough charm to work. In […]
Cargo Review: Netflix’s Sprawling, Intimate Zombie Travelogue
Netflix’s Australian zombie drama sports some fascinating twists on the undead genre, and drips with as much atmosphere as it does infected blood. Zombie movies […]
Hitler’s Hollywood Review: Doc Explores Dark Periods of German Cinema History
Rudiger Suchsland’s second documentary on the cinema of Hitler’s Germany takes a fascinating, if surface-level, look at the ways entertainment gave rise to fascism. When […]
Deadpool 2 Review: Ryan Reynolds Returns for More Quips, Gore and Gags
The Merc With a Mouth is back in a sequel with more slicing, dicing and R-rated quips – but it’s only a slight improvement over […]
Alcohollywood Podcast Ep. 328 – On Deadly Ground (1994)
What does it take to change the essence of a man? This week, we find out (along with regular guest Derek Jarvis) as we dive […]
Chicago Critics Film Festival 2018: Capsule Reviews (Part 3)
Now that the 6th annual Chicago Critics Film Festival has closed, it’s time to look back on some other highlights we loved this year. The […]
Fags in the Fast Lane Review: A Madcap Race to Campy Bad Taste
This over-the-top throwback to exploitation and queer films from the 60s and 70s revels in its tastelessness, delivering an edgy yet affectionate ode to its […]
Anon Review: Netflix’s Dystopian Thriller Leans Too Hard on Tech
Netflix’s latest original film (courtesy of Gattaca’s Andrew Niccol) gets bogged down in its near-future technology, and forgets to stick the landing. Netflix’s latest dystopian […]