Dumplin’ Review: Netflix’s Pageant Comedy Wins Points for Charm
Danielle MacDonald charms in Netflix’s pageant dramedy.
Chef Flynn Review: A Teen Chef Serves Up Delicious Dishes
Cameron Yates’ foodie doc about a budding teen chef is a riveting look at how ambition knows no age, but its smaller scope stretches a […]
Mary Queen of Scots Review: A Riveting, if Ahistorical, Royal Drama
While it won’t win any awards for historical accuracy, Josie Rourke’s royal drama shines thanks to some gorgeous cinematography and the performances of Saiorse Ronan […]
Alcohollywood Podcast Ep. 339 – Tomorrow Never Dies (1997)
This week on the podcast, we stretch 00-vember into 00-cember with the flawed but fun Pierce Brosnan James Bond outing Tomorrow Never Dies!
Asher Review: A Creaky Pre-90s Hitman Thriller
Try as they might, even genre giants like Ron Perlman and Famke Jannsen can’t elevate this dull, by-the-numbers hitman thriller. The ‘90s were peak years […]
CAM Review: Netflix’s Peep Show Into the Terror of Stolen Identity
Director Daniel Goldhaber and screenwriter Isa Mazzei explore the complexities of online sex work with a fascinating thriller about a camgirl facing an identity crisis. […]
The Favourite Review: Yorgos Lanthimos Holds Uproarious Royal Court
Yorgos Lanthimos’ latest is a droll, hilarious dramedy about the challenges of female power and competition, with three amazing performances from Olivia Colman, Emma Stone, […]
How Creed II Evolves the Rocky Mythos (and Stallone’s Screenwriting)
Creed II is a cracking successor to Coogler’s previous film and the Rocky series as a whole, due greatly to Stallone returning as screenwriter after […]
Spider-Man: Into the Spider-Verse Review – A Web-Slinging Animated Classic in the Making
Miles Morales gets the big-screen treatment he deserves, an aesthetically vibrant, action-packed story that might just be one of the best animated superhero films of […]
Twisted Pair Review: Neil Breen’s Latest Exercise in Baffling Anti-Cinema
The deeply strange Neil Breen returns with an even more deeply strange entry in his filmography of homespun, barely-coherent ‘psychological thrillers.’ One doesn’t review a […]