IO Review: Netflix Blandly Limps Through the Apocalypse
Netflix’s latest sci-fi drama is as lifeless as the polluted future Earth of its setting.
Netflix’s latest sci-fi drama is as lifeless as the polluted future Earth of its setting.
Chris Smith looks at the Fyre Festival’s downfall from the eyes of those who worked on it.
HBO’s latest is a didactic lecture of a Brexit primer whose handsome performances hide a smug political nihilism.
“Hitchcock & Scully” offers some intermittent laughs as the origin story of Brooklyn Nine-Nine’s most colorful characters, but isn’t one of its finest eps.
Documentary filmmaker Penny Lane sits down with us to talk about her latest, THE PAIN OF OTHERS.
The Orville cribs a bit from Star Trek Discovery in an Ed-heavy episode featuring an enemy love interest in disguise.
“Brother” sees Star Trek Discovery lightening up and linking its prequel crew with some fanservicey connections to original Trek.
Like a hammer through a window, Glass shatters whatever goodwill M. Night Shyamalan had once recovered.
With Glass coming out, we plumb through our collective psyches to discuss Brian De Palma’s split-personality thriller Raising Cain.
The hit sitcom returns on its new home of NBC without skipping a beat.